[On how she got her role on ‘Hugo’] “Basically, I got a call from my agency and they were like “Look, Martin Scorsese is making a movie,” […] they said “We’re only casting local brits because we want the real accent, we want the whole thing,” and I was like “Okay, well. You know, I’ll do a tape and I’ll audition for it.” So I wore a little wig, and I did everything in a british accent, and he loved it. So he flew me and Asa Butterfield— the kid who played Hugo— to New York to do an audition for him, in front of him. So I flew out there, keeping up the act that I was british […] And then as I was leaving — luckily, he was amused — I said in my regular voice, “Bye Marty!” and he was like, “Wait. What? Where’d your accent go?” And I was like…”
— Oyasumi Punpun (via nezu-mi)
This scene in Inglourious Bastards, this particular part, was so brilliantly written. The characters are playing a game where you sit in a circle and write a famous person’s name on a card, flip it over, pass the card to the person next to you and stick it to your head without looking. Then you ask everyone questions to figure out who it is. This man- a Nazi commander- asked “Am I American?” (no but..) “Have I visited America?” (yes) “Was my visit fruitious?” (no) “Did I go against my will?” (yes) “Am I from a place you’d call exotic?” (yes) “Am I from the jungle?” (yes) “Did I go by boat?” (yes) “And when I got there was I bound with chains and presented in front of a crowd?” (yes!) “Well then. I know who I am. An African slave. No? Oh then I’m King Kong.” — and in one instance the viewer realizes the metaphor which King Kong was to the African slave trade (a truly Tarantino way of inserting social awareness through dialogue spoken by social oppressors) as well as takes a moment of almost comic relief to a very strange middle ground since we see just how intelligent and foolproof this man is. This is good filmmaking.